ENVYES · 2026Single
Stills
Hi-8 frames, flash photos, loose tape — printed on the flyer in one ink. Hover for colour; click or tap to hold it.










Frames drift with the page (swipe them on a phone). Hold all ten and the strip stays in colour.
Releases
All self-released. Newest first.
ENVYES · 2026Single
ENVYES · 2026Single
Dime
ENVYES · 2025EP
Cuck / Let Down
- Cuck 3:12
- Let Down 3:34
ENVYES · 2025Single
Windchimes
ENVYES · 2025Video
Blessings
Shot at the Baltimore Zoo and a Hunt Valley cemetery. Not on streaming.
Shows
Le Mondo, 406 N Howard St, Baltimore.
- 11 Sept 2026hey thanks. (NOLA) · Jeiku (Lafayette, LA) · Envyeslisting
- 9 Apr 2026BOYSCOUTMARIE (NYC) · Sleeptalk · Envyes · Chain of Memorieslisting
- NextTo be announced. Booking: [email protected]
The room this comes from
If you got here from any of these, you are in the right basement.


Baltimore
Hardcore that turned into something else — Turnstile out of the Charm City scene, Dosser's grunge-revival house shows, End It. Rooms: Ottobar, Le Mondo, basements.
Philly basement
The Julia's War orbit: They Are Gutting a Body of Water, Knifeplay's slow shoegaze, Alex G's bedroom lineage, My Wife's An Angel on Knife Hits. Tapes first, labels run by the bands.
Noise / no wave
Chat Pile (Oklahoma City, The Flenser), Show Me the Body's New York, YHWH Nailgun's 45 Pounds on AD 93. Ugly on purpose, built by hand.
Heavy gaze
Deftones and Far taught a generation of hardcore kids that distortion can be soft; Deafheaven and Title Fight's Hyperview finished the thought.
Slowcore / bedroom
Flooding (Lawrence, KS), Knifeplay, MJ Lenderman, Geese — quiet songs recorded close to the mic, plus Bandcamp-only names like Memo Boy and Kitchen.
The 90s that got us here
Weezer, Blink-182, Interpol, Ovlov's fuzz. Not the influence — the reason anyone picked up a guitar.
What these have in common is not a genre. It is small rooms, cassette runs, labels run by friends, and records that sound like the person who made them. That is the standard Envyes holds itself to: crafted, odd where it wants to be, and real.
About
Personal and unpredictable.

Envyes is the DIY bedroom project of Baltimore-based artist Ryan Knight — raised in the Maryland suburbs of Gaithersburg, with years of trial-and-error demos and a history of modest success in local DMV projects (My Friday Anthem, ish, Griswald) behind the sound.
Recording, engineering and filmmaking happen in the same room: a 4-track, a Hi-8 camera, a CRT. Kellii Scott plays drums on the planned recordings.
“Blessings is a reflection on being so lost in life that you take for granted the beauty and moments around you.”— Ryan Knight, to AnalogueTrash, Jan 2025
Press
On “Blessings”.
- Queen City Sounds and Art“lushly nostalgic dream pop” · Feb 2025
- AnalogueTrashNew Music: Envyes – Blessings · Jan 2025
- End Sessions (MX)dream pop / shoegaze review · Jan 2025
Write
Shows, collaborations, press.
[email protected]Baltimore, MD
